![]() These phrasings can be used as single-line runs over chord changes stated in any appropriate situation. This demonstrates Peterson’s trademark unison octave style over a series of dominant chords. Many of his phrasings remind me of how a comedian can deliver a powerful punch line at just the right time. Peterson always has a way of presenting potent ideas over ii-V-I chord progressions. Also note the flatted fifth, a key point of tension and release in Peterson’s playing. This is a 12-bar blues form in the key of Eb containing left hand bass notes Peterson often used in solo piano performances, and right-hand lines which can be used in a variety of harmonic situations in different keys. ![]() Practice tip: Try playing block chords in every possible inversion to complement the melodic idea at hand. He often uses seventh, ninth, and especially sixth chords in his right hand, with the top voice doubled in the left hand. ![]() Peterson’s frequent use of block chords always reminded me of the sound of a big band sax section. Let’s take some exercises, young Jazz pianists! Libertango (partitura Piano Solo) – Astor Piazzolla
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